for narnia

Matt
Dinosaur Ninja Pirate
20
Adelaide
Fire twirling, fire, things that can be set on fire, bacon, scouty stuff and awesome stuff are awesome..

rice-bun:

stillnot-ginger:

nootherendoftheworldwilltherebe:

dontbearuiner:

sadienita:

alittleveggies:

requiemsong:

mldmnnrdrprtr:

crazylipgloss:

thebatmanchild:

athagazagoraphobic:

invisicanada:

About three things I was absolutely positive. First, I had a pokemon. Second, there was a part of me - and I didn’t know how dominant that part might be - that wanted to be the very best, like no one ever was. Third, Gary Oak was unconditionally and irrevocably a douchenozzle.

Reblogging for the comment

How old are you? 
“ten”
How long have you been ten?
“…”

HOW LONG HAVE YOU BEEN TEN

Misty looked at Ash, his breathing still heavy from carrying her on his bike as fast as he could through the long grass outside of Pallet Town.
“You’re eyes are impossibly huge and black,” Misty said. “Your hair is… incredibly pointy, and doesn’t need product. Your face changes size and shape based on your feelings… and sometimes you speak like - like you’re from the 90’s. You never spend money on anything; you don’t go to the bathroom.”
The silence hung there, thick and heavy like a Snorlax blocking the bike path. 
“How old are you?” Misty asked, not sure if she wanted to know.
“Ten,” Ash replied, with a slight smirk and an almost amused tone.
Misty new that wasn’t true. Ash wasn’t like the other boys her age. He wasn’t even like her older sisters who ran the gym in Cerulean City. He was wiser and his passion was genuine.
Ash didn’t just want to catch them all, he needed to. He was going to be the best there ever was no matter how long it took, which gave Misty this nagging in the back of her mind. She had to know for sure.
“How long have you been ten?” she asked. Her voice weak, knowing full well the answer could change everything she thought she knew.
“A while…” Ash said. His voice trailing off, as if he were losing himself in a flood of memories.
Misty let out a faint gasp. She knew now. She was certain.
“I know what you are,” she declared, as if whatever had been holding her back from accepting the truth, finally let go of her hand and let her fall right down the Diglett hole.
Ash eyes were alive now, flickering like the flame on a Charmander’s tale.
He stared right into her and said, ”Say it… out loud. Say it.”
Misty’s heart was pounding louder than the thud of a Marowak’s bone club attack.
Despite the now eerily silent meadow, she could barely be heard as she whispered, “Pokemon Trainer.”





^^^better story than twilight

LOL

Filed under: Twilight parodies that are better than Twilight

this post just keeps getting better

I SCOULD KJFLDS FS NOTTTT STOP LAUGHING THIS WHOLE THING MY FAMILY THINKS I’M A FREAK HALP SOMEONE
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rice-bun:

stillnot-ginger:

nootherendoftheworldwilltherebe:

dontbearuiner:

sadienita:

alittleveggies:

requiemsong:

mldmnnrdrprtr:

crazylipgloss:

thebatmanchild:

athagazagoraphobic:

invisicanada:

About three things I was absolutely positive. First, I had a pokemon. Second, there was a part of me - and I didn’t know how dominant that part might be - that wanted to be the very best, like no one ever was. Third, Gary Oak was unconditionally and irrevocably a douchenozzle.

Reblogging for the comment

How old are you? 

“ten”

How long have you been ten?

“…”

HOW LONG HAVE YOU BEEN TEN

Misty looked at Ash, his breathing still heavy from carrying her on his bike as fast as he could through the long grass outside of Pallet Town.

“You’re eyes are impossibly huge and black,” Misty said. “Your hair is… incredibly pointy, and doesn’t need product. Your face changes size and shape based on your feelings… and sometimes you speak like - like you’re from the 90’s. You never spend money on anything; you don’t go to the bathroom.”

The silence hung there, thick and heavy like a Snorlax blocking the bike path. 

“How old are you?” Misty asked, not sure if she wanted to know.

“Ten,” Ash replied, with a slight smirk and an almost amused tone.

Misty new that wasn’t true. Ash wasn’t like the other boys her age. He wasn’t even like her older sisters who ran the gym in Cerulean City. He was wiser and his passion was genuine.

Ash didn’t just want to catch them all, he needed to. He was going to be the best there ever was no matter how long it took, which gave Misty this nagging in the back of her mind. She had to know for sure.

“How long have you been ten?” she asked. Her voice weak, knowing full well the answer could change everything she thought she knew.

“A while…” Ash said. His voice trailing off, as if he were losing himself in a flood of memories.

Misty let out a faint gasp. She knew now. She was certain.

“I know what you are,” she declared, as if whatever had been holding her back from accepting the truth, finally let go of her hand and let her fall right down the Diglett hole.

Ash eyes were alive now, flickering like the flame on a Charmander’s tale.

He stared right into her and said, ”Say it… out loud. Say it.”

Misty’s heart was pounding louder than the thud of a Marowak’s bone club attack.

Despite the now eerily silent meadow, she could barely be heard as she whispered, “Pokemon Trainer.”

^^^better story than twilight

LOL

Filed under: Twilight parodies that are better than Twilight

this post just keeps getting better

I SCOULD KJFLDS FS NOTTTT STOP LAUGHING THIS WHOLE THING MY FAMILY THINKS I’M A FREAK HALP SOMEONE

(Source: setyourphaserstostun, via hoenngirl)

When people say these books are children’s books, as if to demean them, I balk. These books dealt with themes that adults do not fully understand or wish to. It dealt with racism, classism, sexism, homophobia, prejudice, and general ignorance. These books taught us that it doesn’t matter how you were raised, but that you get to choose to be kind, loyal, brave, and true. They taught us to be strong under the pressures of this world and to hold fast to what we know to be right. These books taught me so much, they changed me as a person. So just because they’re set against a fantastical backdrop with young protagonists does not mean that their value is any less real.

This.

First book: Starts with the double murder of a pair of twenty-one year olds who were much missed and leaving their baby son a war orphan. A child growing up in abusive conditions that would give Cinderella the horrors. Dealing with peers and teachers who are bullies. The fickleness of fame (from the darling of Gryffindor to the outcast.) The idea that there are things worth fighting and dying for, spoken by the child protagonist. Three children promptly acting on that willingness to sacrifice their lives, and two of them getting injured doing so.

Second book: The equivalent of racism with the pro-pureblood attitude. Plot driven by an eleven year old girl being groomed and then used by a charming, handsome older male. The imbalance of power and resultant abuse inherent in slavery. Fraud perpetuated by stealing something very intimate.

Third book: The equivalent of ableism with a decent, kind and competant adult being considered less than human because he has an illness that adversely affects his behaviour at certain times. A justice system that is the opposite of just. Promises of removing an abused child from the abusive environment can’t always be kept. The innocent suffer while the guilty thrive.

Fouth book: More fickleness of fame. The privileged mistreating and undermining the underprivileged because they can. A master punishing a slave for his own misjudgment, and the slave blaming herself. A sports tournament which involves mortal risk being cheered by spectators. A wonderful young man being murdered simply because he was in the way. A young boy being tortured, humilated and nearly murdered.

Fifth book: PTSD in the teenage protagonist. Severe depression in the protagonist’s godfather, triggered by inherited mental health issues and being forced to stay in a house where abuse occured. A bigoted tyrant who lives to crush everyone under her heel, torturing a teenager for telling the truth in the name of the government (and trying to suck his soul out too). The discovery that your idols can have feet of clay after all. An effort to save the life of someone dear and precious actually costing that very same life. The loss of a father-figure and the resultant guilt.

Sixth book: The idea that a soul can be broken beyond repair. Drugs with the potential for date rape are shown as having achieved exactly that in at least one case, resulting in a pregnancy. Well-meaning chauvinism trying to control the love life of a young woman. Internalised prejuidce resulting in refusing the one you love, not out of lack of love but out of fear of tainting them. The mortality of those that seem powerful and larger than life.

Seventh book: Bad situations can get worse, to the point where even the privileged end up suffering and afraid. More internalised prejudice and fear hysterical terror of tainting those you love. Self-sacrifice and the loss of loved ones, EVERYWHERE. Those who are bitter are often so with a reason. The necessity of defeating your inner demons, even though it’s never as cool as it sounds. Don’t underestimate those that are enslaved. Other people’s culture isn’t always like your own. Things often come full circle (war ending with the death of a dearly-loved pair of new parents and their orphaned baby son living with his dead mother’s blood relative instead of his young godfather). Even if ‘all is well’ the world is still imperfect, because it’s full of us brilliant imperfect humans.

So… still think that Harry Potter is a kid’s series with no depth?

(Source: fhloston-paradise, via this-is-my-castle-on-a-cloud)

The meaning of all the deaths in HP:

  • James and Lily: To establish the story line as well as to show orphans of war.
  • Cedric Diggory: To show Voldemort's mercilessness.
  • Sirius Black: To show Harry's lack of guidance/parental figures.
  • Albus Dumbledore: To show the death of a great leader can't stop a war.
  • Hedwig: To show the end of Harry's childhood.
  • Mad Eye: To show the death of a solider.
  • Dobby: To show even the smallest of creatures can die a Hero's death.
  • Fred Weasley: To show that some deaths you just can't get over. And that's okay.
  • Tonks and Remus Lupin: To reestablish orphans of war.
  • Colin Creevey: To show that the good die young, even when they aren't supposed to.
  • Severus Snape: To show that you can always change your ways. Always.

Imagine if you logged onto tumblr one day, and gifs suddenly had sound.

awesomephilia:

You’d open up your dash to this explosion of noise and your face would be like:

(Source: gerardwway)

[Flash 9 is required to listen to audio.]
353 Plays
Silversun Pickups
Lazy Eye

dropdeadjezabel:

ketchup-catsup:

Silversun Pickups - Lazy Eye

Favourite.

(Source: adropofmilk)

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